輯一：洛夫詩藝
洛夫作品的意象世界 ·············································· 3
意象的經營 ··························································· 3
所謂結構 ······························································ 3
正負有無的體驗 ····················································· 5
超現實意象 ··························································· 7
非單一句法的意象 ··················································· 9
突發的驚喜與整體的和諧 ········································ 11
意識的多重視野 ···················································· 13
所謂超現實主義自動寫作 ········································ 14
所謂的「主義」 ···················································· 16
所謂的主題 ·························································· 17
對現實的反應 ······················································· 19
比喻與現實 ·························································· 19
意象的相依與並置 ················································· 22
置換的層次 ·························································· 24
偶發性因素 ·························································· 28
偶發性不是超現實主義自動寫作 ································ 30
物我觀照 ····························································· 31
主客易位 ···························································· 32
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物我合一 ···························································· 34
意象的古今對映 ···················································· 35
意象疊景 ···························································· 36
時間空間化，空間時間化 ········································ 38
洛夫早期現實詩作的詩性 ······································· 41
超現實標籤下的現實書寫 ········································ 41
現實書寫與寫實主義 ·············································· 43
洛夫詩化現實的展現 ·············································· 44
悠遠的實景意象 ···················································· 45
現實隱含的真實 ···················································· 46
現實的隱喻 ·························································· 48
現實的意象敘述 ···················································· 50
不同時空的組合 ···················································· 52
並置與語意的空隙 ················································· 53
意象的聚焦與特寫 ················································· 57
擬人物語 ···························································· 57
一語雙關的性意象 ················································· 59
現實與歷史 ·························································· 59
結語：詩性與詩的生命感 ········································ 61
參考書目 ····························································· 62
沈默、「無為」、似有似無的技巧――以洛夫近晚期的作品
為例 ·································································· 65
洛夫過去的詩作 ···················································· 65
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超現實的詩心――非超現實的遊戲 ···························· 65
震撼性的意象 ······················································· 66
驚人的技巧，創造力明顯的展示――石室之死亡 ··········· 67
生命的型態 ·························································· 67
近期似有似無的技巧 ·············································· 68
從超現實到現實 ···················································· 68
隱約的比喻――和一般比喻的比較 ···························· 70
隱約的轉喻――和一般轉喻的比較 ···························· 73
偶發性因素 ·························································· 77
自然無比的創造力 ················································· 78
敘述的流暢感 ······················································· 83
生命的場域 ·························································· 87
幾近「無為」的技巧 ·············································· 90
技巧似有似無的沈默 ·············································· 92
結語 ··································································· 94
參考書目 ····························································· 96
意象「離心」的向心力――論洛夫的長詩〈漂木〉 ······· 99
驚人的長詩 ·························································· 99
概述 ································································· 100
「離心」的向心力 ··············································· 101
漂泊的意象 ························································· 102
弔詭的思辯 ························································· 104
苦澀的笑聲 ························································· 105
詩人自我的解構 ··················································· 107
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虛實的辯證 ························································· 109
後現代的雙重視野 ················································ 111
「內涵」、「外延」與文本細讀――洛夫〈非政治性的圖騰〉
的長詩敘述 ························································ 115
所謂長詩 ··························································· 115
精讀細品 ··························································· 116
「張力」：「內涵」與「外延」 ································· 117
順時性（diachronic）與並時性（synchronic）的互動 ····· 124
結構的完整 ························································· 127
縫隙中的詩質 ······················································ 128
張力的極致點 ······················································ 130
結語 ································································· 132
參考書目 ··························································· 133
輯二：書評/書序/推薦語
詩的進行式――評陳大為的詩集《靠近 羅摩衍那》 ··········· 139
詩在似有似無之間――評孫維民的詩集《麒麟》 ··············· 143
古典意象的新衣――評蔡振念詩集《陌地生憶往》 ············ 147
詩的時間歷程――評李有成的詩集《時間》 ····················· 151
意象的書香――評奎澤石頭的詩集《時光飛逝》 ··············· 155
現實與寓言――評李進文詩集《長得像夏卡爾的光》 ········· 159
詩的慣性書寫與意象思維――評鯨向海的《精神病院》 ······ 163
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山水與人世交疊的傷痕――評詹澈的詩集《海浪和河流的隊伍》····· 167
波浪翻騰裡的人心――評汪啟疆詩集《台灣海峽與稻穀之舞》 ····· 171
「海洋詩」意象的佈局――評蔡富澧的詩集《藍色牧場》 ··· 176
跳脫而控制的詩想――評白靈詩集《愛與死的間隙》 ········· 180
長詩的意象敘述――評朵思的《曦日》 ··························· 184
去除裝飾性的抒情――評岩上的詩集《針孔世界》 ············ 188
病痛的美學距離――序岩上的詩集《詩病田園花》 ············ 193
抒情詩的陷阱――評何雅雯的詩集《抒情考古學》 ············ 199
當下與過去交互閃爍的餘光――讀李黎茗詩集《一枝筆裡醒來的村落》 ···· 203
炊煙與記憶――閱讀李黎茗的〈小城故事〉 ····················· 206
悠遊自在的意象敘述――序傅素春的詩集《我想我吃冰淇淋會好》 ······ 209
文字在空隙中隱隱作痛――序龍青的詩集《風陵渡》 ········· 215
基於人生的修辭――序伍季的詩集《鏽了，沈了的世界》 ··· 222
意象的說明與理趣――讀徐行的詩集《明月•清風》 ········· 230
悠遠而沈重的詩集：愛羅的《二分之一星光燦爛》 ············ 234
「看」與「被看」的穿梭――讀紅紅的《和鏡子說話像一隻鬥魚》 ······· 237
出神入神的瞬間――劉曉頤的詩集《到最遠地方去寄信》 ··· 240
推薦語 ···································································· 242
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清澈明晰的詩想――張堃的《第三類接觸》················ 242
蘇曼靈詩集《消失的元素》 ···································· 243
不清《金繼》詩集中「不相稱」的美學 ····················· 244
情色與無奈――唐豔豔的詩集《二十首情詩和一首慾望的歌》 ···· 244
後現代的反思：藝術作品的身姿 —評葉維廉的《解讀現代•後現代》 ········ 246
輯三：短論
如何讀詩――以詩閱讀人生 ··································· 255
意象是人生的投影 ··············································· 261
詩與人生 ··························································· 261
意象的遊戲？ ······················································ 262
現實意象中的超現實 ············································· 263
意象的說服力 ······················································ 264
意象的「不說」 ··················································· 265
「文學批評」與「文學思評」 ································ 269
詩新世紀的省思 ·················································· 273_
