從「詩人所為何事」論台灣現代詩的七種意象 ·············· 1
浪漫詩學的精華――詩人所為何事 ······························ 1
現代詩的七種意象 ·················································· 4
抽象用語的意象 ····················································· 5
抽象用語的抒情意象 ················································ 5
抽象用語的說理意象 ················································ 8
抽象用語的具象化 ··················································· 9
超現實意象 ·························································· 11
詩遊戲意象 ·························································· 13
現實意象 ····························································· 16
宣告式的現實意象 ················································· 16
營造生命情境的意象 ·············································· 18
結語 ··································································· 21
台灣都市詩的空間意象與隱喻 ································· 23
意象的空間、時間、歷史 ········································ 23
空間的時間性刻痕 ················································· 23
空間的時間內涵 ···················································· 24
空間、歷史、現實、隱喻 ········································ 24
都市的生活空間 ···················································· 26
住宅 ·································································· 27
街道 ·································································· 31
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公共場域 ···························································· 35
都市裡的中產階級與「特異」人類 ····························· 41
中產階級 ···························································· 41
政客 ·································································· 42
新新人類 ···························································· 44
都市文明的表徵 ···················································· 45
窺視 ·································································· 45
垃圾 ·································································· 47
洪水 ·································································· 49
都市空間裡的自我 ················································· 50
存有被投入的世界 ················································· 50
我與他的共生關係 ················································· 50
不得不的存在 ······················································· 52
思鄉、陌生感、放逐 ·············································· 54
引用書目 ····························································· 57
現實與比喻：台灣當代詩的意象空間 ························· 61
語言的比喻系統 ···················································· 61
台灣八、九○年代後的現實空間 ································ 62
八○年代 ···························································· 62
九○年代之後 ······················································· 63
詩人所為何事？ ···················································· 63
感性抒情 ···························································· 64
文字遊戲 ···························································· 65
意識型態的書寫 ···················································· 66
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語言與現實的對話 ················································· 67
家國認知 ···························································· 68
島國認同 ···························································· 72
族群對立的政治情境 ·············································· 78
經濟狀態 ···························································· 82
文化與歷史定位 ···················································· 85
生活空間的定位 ···················································· 92
引用書目 ····························································· 98
當代詩意象敘述的語調 ········································· 105
意象的特質 ························································ 105
意象敘述的特色 ·················································· 110
敘述非故事性的內容 ············································· 110
敘述的空間化 ······················································ 112
意象的環鍊 ························································· 113
故事與言說（Story and discourse） ··························· 115
意象敘述的語調 ·················································· 116
弔詭 ································································· 117
弦外之音 ··························································· 119
邏輯倒錯 ··························································· 121
「意何所指」的敘述 ············································· 122
意義的雙重面向 ··················································· 123
說話者的語氣（voice） ········································· 125
引用書目 ··························································· 129
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人間的意象與想像 ――以向明詩作為例 ··················· 131
落實人間的意象美學 ――一個新世代詩學的建立 ······· 143
當代詩的發展與傳承 ············································ 143
台灣當代詩 ························································· 143
大陸當代詩 ························································· 145
當代情境的人間意象 ············································ 148
非目的論的生命感 ················································ 149
意象與意義的流動性 ············································· 150
詩的雙重視野 ······················································ 153
苦澀的笑聲 ························································· 154
似有似無的技巧 ··················································· 157
引用書目 ··························································· 158
詩無意象的可能性？ ············································ 161
詩為何有意象？ ·················································· 161
詩不言說 ··························································· 161
意象不是理念的化身 ············································· 163
抽象具象化的能力 ················································ 164
無意象詩 ··························································· 168
蘇紹連的無意象詩論 ············································· 169
無意象詩論的商榷 ··············································· 170
形象也可能是意象 ················································ 171
意象的根源不一定是形體 ······································· 174
標題是重要的文本 ················································ 174
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無意象詩的詩質 ··················································· 176
無意象詩的可能性？ ············································ 179
內容提要 ··························································· 185
理論主客體運用的實例探討――以孟樊的批評為例 ······ 187
現象學的標籤 ······················································ 189
主義的定義――寫實主義的例子 ······························ 190
理論的框架――新批評的例子 ································· 191
理論、術語的套用vs 文本細讀 ································ 193
理論、術語的運用 ················································ 195
理論的「承襲」與「照單全收」？ ··························· 196
結語 ································································· 197
引用書目 ··························································· 198
詩史的視野與生命感――評鄭慧如教授的《台灣現代詩史》······ 201
以文本作為詩人定位最重要的依據 ··························· 201
「非散文化」的詩觀 ············································· 202
焦點詩人的長詩敘述 ············································· 204
揭露文字遊戲的蒼白 ············································· 206
肯定文字的悠遊自在 ············································· 209
詩的生命感 ························································· 210
文本細讀的能力 ··················································· 214
撰史者各方面的慧見 ············································· 216
詩史的生命感 ······················································ 218
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詩史的波瀾風景――「台灣新／現代詩史」觀察 ········· 221
摘要 ································································· 221
撰寫的基本精神—兩本詩史都以文本為依據 ············ 223
「文本主義」與「文本至上」的不同 ························ 224
評論視野、詮釋立場的不同 ··································· 226
入選詩人的取捨不同 ············································· 226
對詩人的褒貶不同 ················································ 227
對分行引文的態度不同 ·········································· 228
後現代主義認知的歧異 ·········································· 229
長詩認知的歧異 ··················································· 230
討論詩人的方式――一次討論完畢與分階段討論的不同 · 231
「超現實筆法」與「超現實主義自動寫作」的不同 ······ 232
對兩本詩史的疑問或建議 ······································ 238
對《台灣新詩史》的疑問與建議 ······························ 238
對《台灣現代詩史》的建議 ···································· 238
結語 ································································· 239
