電影/藝術

Looking at Movies Package, 2/e (Book+ 2 DVD+ Writing about Movies Booklet)
出版社： W.W.Norton & Company. Inc. Publishers
書林書號：
20072131
作者：
Barsam, Richard
定價：
1500
會員價：
$1275
ISBN：
0393171302
出版年份：
2007
裝訂：
平裝
總頁數：
447
  • 本書介紹
  • 作者
1、精心組合<書籍+網站+DVD+寫作指導>，為同類書籍中最完整的組合。
2、同類型書籍中最具動態視覺內容的書籍。全彩設計、易於閱讀，提供學生最完整的電影技巧介紹、電影欣賞與電影分析。
3、專屬學生用網站(wwnorton.com/movies)，包含電影相關文章、評論與寫作，佐以生動插圖介紹。除包含電影片段、畫面順序、短片、動畫的分析外，更有最完整的電影專有名詞介紹。
4、書中的章節題材包含"分析"片段及新的"分鏡檢核表"…等，內容根據第一版延伸，包含電影理論、文體分析、電影史等。
5、兩片DVD提供近4小時的動態影像內容，內容包含教學內容以及12部短片，供自學或是班級上課展示用。

Shaped by Richard Barsam's more than twenty years of classroom experience, Looking at Movies uses students' natural enthusiasm for the subject as a foundation for going beyond enjoyment toward intelligent, analytical understanding of movies. Professor Barsam's clear writing, thorough presentation of fundamental film principles, and unique pedagogical additions to the traditional introductory text—including an entire chapter devoted to analytical writing—ensure that students approach screenings and writing assignments equipped with the analytical tools necessary to be active, insightful interpreters of movies. Looking at Movies is accompanied by two outstanding multimedia resources, the Student website and CD-ROM, both of which are integrated directly with the text.
Richard Barsam (Ph.D., University of Southern California) is Professor Emeritus of Film Studies at Hunter College. He is the author of Nonfiction Film: A Critical History (rev., exp. ed. 1992), The Vision of Robert Flaherty: The Artist as Myth and Filmmaker (1988), In the Dark: A Primer for the Movies (1977), and Filmguide to "Triumph of the Will" (1975); editor of Nonfiction Film Theory and Criticism (1976); and contributing author to Paul Monaco's The Sixties: 1960-1969 (Vol. 8, History of the American Cinema, 2001) and Filming Robert Flaherty's "Louisiana Story": The Helen Van Dongen Diary (ed. Eva Orbanz, 1998). His articles and book reviews have appeared in Cinema Journal, Quarterly Review of Film Studies, Film Comment, Studies in Visual Communication, and Harper's. He has been a member of the Executive Council of the Society for Cinema and Media Studies, the Editorial Board of Cinema Journal, and the Board of Advisers of the History of American Cinema series, and he co-founded the journal Persistence of Vision.
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